Listening to this you will keep saying “sounds like…” but therein lies the clever part of this work: it’s very familiar but still new and still good, no matter which way you measure it.Īnd Yet It Moves is released on 12th November on CD and a choice of vinyl finishes through Mighty Music. The final track, ‘The Bite of Frost’ is Priest with added Maiden-isms. The guitar/bass duet intro of ‘Last Frontier’ heralds more quality heavy rock. ‘Shrapnel’ is as close to a ballad as you’ll get as it melodically builds to the weightier middle section and another lovely solo. ‘Children of a Killing Sun’ is a great, multi-layered Sabbath (Dio) tailored song but again maintains a refreshing originality with tasty riffs, guitar solos and drum workouts making it even better. ‘This Too Will Pass’ has elements of Heep and Zep in the main riffs: a Gypsy in Kashmir is no bad thing ‘cos this works so well that the familiarity actually contributes to a cracking song. Opening with the title track, they set out their stall with a Yes meets Priest intro, building into a solid barrage of rock. For the band, the pandemic became time to “jointly develop their common sound and expression.” So, although they show past influences from the pantheon of rock, they have managed to keep that ethos and still be original. The debut album is not about the World Turtle that must forever transport Discworld: no, And Yet It Moves is the last phrase uttered by physicist and philosopher Galileo Galilei after the Vatican forced him to recant his scientific belief, that the Earth moves around the sun and not the other way around. Run, jump and rotate the world in this puzzling platformer Your world is a collage of torn paper and you must use all of your platforming skills: running. Together they’ve created nine tracks that have a refreshing light and dark, heavy and light quality, but with rock underpinning everything. Developed in close collaboration Rasmus Koch Studio and were formed in 2020 by four experienced Danish musicians: Anders Folden Brink on Lead vocals, rhythm & lead guitar Birk, Lead & rhythm guitar, backing vocals, Martin Haumann on Drums and Daniel Bach on the Bass and backing vocals. Originally conceived for the Hyundai Commission 2017 in Tate Modern's Turbine Hall. As the beliefs of the bishops and priests were set in stone, so too seems our current belief in a fixed system of commodified life. Designed with a colour scheme inspired by a selection of national banknotes, the carpet appears as a flickering bed of currency where the participants can indulge in a state of apathy. And Yet It Moves consists of a gigantic swinging steel pendulum that the audience is invited to lie under on an expansive, soft carpet. We are unable to even fathom alternatives to the current system, as if we were hypnotised into believing only in a market-driven ideology. Today the major global power – and perhaps religion – is capitalism. Threatened with torture and death by the major spiritual, political and economical force of that time, the Catholic church, Galilei was forced to retract his conclusion, but afterwards supposedly uttered the words: “And yet it moves.” Using a simple telescope as well as observing the movement of a pendulum, Galileo Galilei concluded that the Earth is rotating around the sun. During the 16th century, the long-held view that Earth was the stationery centre of the universe was challenged by Renaissance scientists.
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